1. |
Stains
05:47
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here's how it starts:
one hand draws a line
that cuts off the other
then calls it the crime
and makes it eat dirt
till monsters emerge from the dark
and out in the courtyard
they spell out your name
in the blood of your father
cos he was the same
you vertically transmit disease
you're up to your eyes
you're down on your knees
can you hear me?
what is all this noise?
this is not me
lonely, lost, unenjoyed
i am covered in stains
pack up your rainbows
it's time for the troops
they'll ditch you with nothing
but fifty to shoot
red and white stripes
a crazed barber wipes his hands on a rag
make a flag. stand. salute
one for the master
and one for the maid
and one for the boy who is covered in stains
i tried to play straight
but i'm tired of the wait
what good's a dream if it just suffocates?
can you hear me?
everything's destroyed
you have made me
terror will fill the void...
all these years
you watched as my canvas was crushed
now i'm back with your blood on my brush
all these demons i couldn’t shake off
made me shake you off
all these years
i built myself a cocoon
can you fix a worm broken in two?
there are butterflies covered in glue
there are things that i have to do...
can you hear me now?
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2. |
Sometimes A Lie
04:37
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london. summer. 1810
i loved to smell his apron strings
i was cleaning up his brushes in his attic studio
when he said: “you can have one thing”
i took his name
how else could i have pulled it off?
i admit it's strange but so were the times
i got used to the bindings and i cut around a bowl
they said: “handsome james
you've got your uncle's hair”
The silent labour of the knife
the theatre of mask and gown
it suited me completely
my hands could talk for me
i was the first, by fifty years – unknown
i was sent down to the cape
to serve as colony inspector
the boys said: “general barry, the lake will clean itself
why don't you join us hunting local birds?”
the hardest part was not the cuts
but to hand each child back safely screaming
at night i lay awake with my hands between by thighs
i'd given birth to hundreds, but none were mine
of course, some people rightly guessed
of those who guessed, a few did see
of those who saw the evidence, none did betray
sometimes a lie becomes the only way
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3. |
Artemisia's Ashes
04:29
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a bullet to the back
is an aphrodisiac
when life is a memento mori
origami made from scraps
her paper birds twist in the draft
a tasteless gas, a horror story
artemisia swore to never smile again
artemisia’s ashes washed in acid rain
artemisia said she’d like to see the sea
artemisia’s ashes make a bitter tea
a beetle on its back
will pray for boots and loud cracks
we punish ourselves when we outlive our dream
she suffered on her own
so i powdered up her bones
with root of belladonna atropine
i know
i know too much
artemisia swore to never smile again
artemisia’s ashes bless the hurricane
artemisia said she’d like to see the sea
artemisia’s ashes make a bitter tea
artemisia will never smile again
artemisia’s ashes make a stubborn stain
artemisia’s ashes thrown into the sea
artemisia’s ashes...
i know
i know too much
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4. |
The Eye
03:53
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the eye is your protector
the time and motion cop
the warning on your
windshield
your life in dash and dot
it hangs there like a blood moon
as the red line's overrun
you are not sure if it's towards
or away you run
the algorithm loves you
so divides the world in two
the decent and the deviant
mistakes will be pursued
maybe you were naïve
the punch-clock shows you lied
it screens your metadata
to protect the ones inside
the history you can't delete
it reads your brain's black box
your hippocampus clamped in steel
in clouds of entonox
when you're gasping flapping
a black glove on your face
you'll reach for help and ring the bell
but that's when it looks away
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5. |
Cutaway Queen
03:40
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isn't it romantic?
letters on a hill
mirrors on the ceiling
marbled window sills
did i give away enough now?
this is no a silent movie
but you won't say a word
pool party producers
a freeze-frame when it hurts
did i give away enough now?
did i give away too much, cutaway queen?
are you a mannequin?
how do you stay so thin?
how much can you fit in?
are you a mannequin?
even just your outline
in chalk-marks on the road
pulls the paparazzi
a bleeding centrefold
did i give away enough now?
did i give away too much?
did you give away enough now?
did you give away too much, cutaway queen?
i don't think that you could cope
with another happy ending
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6. |
The Crease
05:03
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here's the crease
the dotted line we draw on maps
it splits the sea
into resorts and drowning rats
if you do
it will pull you underneath
if you don't
you will dream of coral reefs
and fish that come and go so freely
here's the crease
the ditch we dig around our kin
we police
those without and those within
if you dare
try to cross it we will know
if you don't
your hands will stink of indigo
from dyeing our denim daydreams
we may be selling you democracy
but there are snakes in the box
and there is blood on the breeze
we may be living our wildest dreams
but there is sometimes a catch
and there is always
another crease
regardless of how hard you press
a hollow piece
of the wall inside our heads
if you try
we'll push you back down the slope
if you don't
you'll spend your days making rope
that we'll sell back to you as nooses
we'll keep on feeding you our apple pie
till there's a song on your lips
and white stars in your eyes
we may be living our wildest dreams
but there is sometimes a catch
and there is always a crease
don't blame me
i pray for you before i sleep
my screen repeats
a zoetrope of man and beast
the hound's released
a small price for security
my hands are clean
my palms are white
but i can't hide
the colour of the crease
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7. |
Fairytale On Fire
05:20
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this is what she must have felt like
like a wendy house on fire
fire is no cure for a question
question if you're not to blame
this is what she must have felt like
like an armband swept to sea
see her in your screaming dreams
dreams that pound against the glass
this is what she must have felt like
like a snow globe in a storm
storms inside her new toy tea-cups
tea-cups shiver at the thought
this is what she must have felt like
like a doll whose eyes won’t shut
shut the doors that will never be opened
opened books that promise too much
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8. |
Empire's Parade
04:47
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seven years after monroe
jackson's act allowed him to throw five nations –
the cherokee, chickasaw, seminole, muscogee, and choctaw –
into reservations
written in the sands
is the only clue
there are holes in your hand
but the chosen ones will choose
who owns this land?
the truth died with you
every day’s a footstep
that you have to take
i have seen the light
but it seems so far away
i’m crying for a vision
i’m dying to be saved from empire's parade
pumping oil along the route
you marched a thousand miles by foot at gunpoint
your history has been erased
by greats whose august portraits grace our classrooms
did you ever find an answer?
did you ever want to know?
will you ever want to know?
every day’s a footstep
in empire’s parade
two hundred years after monroe
you serve us
wearing dicky bows
in casinos
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9. |
Doomsday Bunker Waltz
02:42
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there's a white stork
in the morning
and it brings me a baby
a baby with a warning
of boom boom boom
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10. |
Katrina
05:20
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aren’t you the girl with the sickle cell breath?
haven’t you heard of an entropy death?
kiosks blown over by the unwritten news
a lynch mob drowned out by the swamp delta blues
a passerby testifies a trail to the woods
dropped by the white stork and raised by the wolves
aren’t you the girl, the girl who was named
before you were born but after the hurricane?
aren’t you the girl who ran around the stands?
in the school photograph, you’re at both ends
did you find the butterfly covered in glue
in your janitor tabard and concrete shoes?
extrapolate postbellum disparities
then pass me my urn for communion tea
aren’t you the girl, the girl who was named
before you were born but after the hurricane?
witness: the oil spill fuels incarcer-rates
witness: a poppy in a field meant for rape
a founding father's letter reclaimed from the fire
a ribboned dream snagged on guantanamo's wire
we sleep like babes though we're covered in stains
as they find your blood in the senator's drains
aren’t you the girl, the girl who was named
before you were born but after the hurricane?
every footprint that you left was filled
and every whisper is a force nine wind
we say that we're sorry, but don't reparate
we just keep an eye on you...
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Neil Singh Brighton, UK
Where is the music as dark as the times we are living in? With themes that cover Black Lives Matter, the refugee crisis, pornography, and terrorism, Neil Singh's debut album is a musical critique of empire in the modern day.
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